Arthur is making our Twitch livestream debut on April 1st, 2021, at 8:00pm with our First Annual Fundraiser and Telethon! Over the upcoming days, we are aiming to hit our 2021 fundraising goal of $10,000.
Your money goes to: •Good paying jobs for content creators •Year-round operation •New tech for content production •The freedom to remain independent
Hello, and welcome to Cinevangelism. I’m sure for some of you it’s been a while. I’ve been at this bearing down on a year now, though I don’t know if I’ve ever properly prefaced any of it. I just kind of did it.
Community Contributor J.A. Forrester explores the relationship and similarities between two Second Word War era biopics released nearly a decade apart.
Evan Robins enjoys the honour and privilege of interviewing Girl God (Girl Gods? Girl Goddesses?) April Clark and Grace Freud—the first ever* trans woman comedians!
Silent Hill 2, one of the most popular horror games of all time, has just had a high-budget remake released. Ciara Richardson takes this as an opportunity to talk about the game's enduring popularity, and the renewed interest in horror games from an earlier era.
Personally, after watching Todd Phillips' much-anticipated Joker sequal, all I could ask myself was the simple question: Why? Why is this movie so hated?
Arthur journalist, Ian Vansegbrook, decides to throw his hat into the movie reviewing ring to dissect the modern cult classic horror comedy: Vicious Fun.
Calvin Bakelaar, the man behind the musical alias VANCAMP, speaks to Allen Barnier about his musical background, accolades, and his band's debut album, Diner Coffee
After an unjustifiably long absence, the film column beloved by chasers and lesbians the world over returns to talk about the woke horror movies of the summer!
Amelia Takacs reviews Smoke Sauna Sisterhood, a film which accentuates the importance of cleansing the soul alongside the body, for the 2024 ReFrame Film Festival.
Community contributor, J.A. Forrester, looks back at the history of Canadian cinema in an attempt to answer some age-old questions: What is a Canadian film, really? And who gets to decide?
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