Arthur is making our Twitch livestream debut on April 1st, 2021, at 8:00pm with our First Annual Fundraiser and Telethon! Over the upcoming days, we are aiming to hit our 2021 fundraising goal of $10,000.
Your money goes to: •Good paying jobs for content creators •Year-round operation •New tech for content production •The freedom to remain independent
On Friday, January 19th, 2024, Nate Silas released his new single called “Wandering Lunacy”. Silas is a singer-songwriter and folk music artist from Langford, British Columbia, who uses lyrics as a way of storytelling.
Amelia Takacs reviews Smoke Sauna Sisterhood, a film which accentuates the importance of cleansing the soul alongside the body, for the 2024 ReFrame Film Festival.
Silent Hill 2, one of the most popular horror games of all time, has just had a high-budget remake released. Ciara Richardson takes this as an opportunity to talk about the game's enduring popularity, and the renewed interest in horror games from an earlier era.
Personally, after watching Todd Phillips' much-anticipated Joker sequal, all I could ask myself was the simple question: Why? Why is this movie so hated?
Arthur journalist, Ian Vansegbrook, decides to throw his hat into the movie reviewing ring to dissect the modern cult classic horror comedy: Vicious Fun.
Calvin Bakelaar, the man behind the musical alias VANCAMP, speaks to Allen Barnier about his musical background, accolades, and his band's debut album, Diner Coffee
After an unjustifiably long absence, the film column beloved by chasers and lesbians the world over returns to talk about the woke horror movies of the summer!
Hulu’s Nine Perfect Stranger’s was released in 2021/22 as a drama-mystery-thriller miniseries and received a 7/10 IMDb user rating. Based on the book by Australian author Liane Moriarty (Nine Perfect Strangers; Big Little Lies), the series was produced by David E. Kelley.
Arthur's resident Cinevangelist is back for her monthly breach of containment, and this time she's been reading, which can only be bad news! By way of big words and sob stories, Evangeline scrutinizes the 2004 film Eternal Sunshine of the Frotless mind, reading into it far more than should be allowed.
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