Arthur is making our Twitch livestream debut on April 1st, 2021, at 8:00pm with our First Annual Fundraiser and Telethon! Over the upcoming days, we are aiming to hit our 2021 fundraising goal of $10,000.
Your money goes to: •Good paying jobs for content creators •Year-round operation •New tech for content production •The freedom to remain independent
Coordinating Editor Evan Robins offers a witty and winding cornucopia's worth of writing advice for those seeking professional advice on the improvement of their craft. Read on for all sorts of insights the more respectable journalists won't tell you!
I don’t like being told what to read any more than I like being told what to do. As a welcome break from my assigned academic readings this past spring, I decided to only read banned books. Two of the most banned books, in fact, of the last century.
Silent Hill 2, one of the most popular horror games of all time, has just had a high-budget remake released. Ciara Richardson takes this as an opportunity to talk about the game's enduring popularity, and the renewed interest in horror games from an earlier era.
Personally, after watching Todd Phillips' much-anticipated Joker sequal, all I could ask myself was the simple question: Why? Why is this movie so hated?
Arthur journalist, Ian Vansegbrook, decides to throw his hat into the movie reviewing ring to dissect the modern cult classic horror comedy: Vicious Fun.
Calvin Bakelaar, the man behind the musical alias VANCAMP, speaks to Allen Barnier about his musical background, accolades, and his band's debut album, Diner Coffee
After an unjustifiably long absence, the film column beloved by chasers and lesbians the world over returns to talk about the woke horror movies of the summer!
Amelia Takacs reviews Smoke Sauna Sisterhood, a film which accentuates the importance of cleansing the soul alongside the body, for the 2024 ReFrame Film Festival.
Community contributor, J.A. Forrester, looks back at the history of Canadian cinema in an attempt to answer some age-old questions: What is a Canadian film, really? And who gets to decide?
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