Arthur is making our Twitch livestream debut on April 1st, 2021, at 8:00pm with our First Annual Fundraiser and Telethon! Over the upcoming days, we are aiming to hit our 2021 fundraising goal of $10,000.
Your money goes to: •Good paying jobs for content creators •Year-round operation •New tech for content production •The freedom to remain independent
Challenging herself to review something topical (or at least from this century) for once, Evangeline sinks her devilish teeth into Studio MAPPA's adaptation of Chainsaw Man.
Alyssa Triano reviews Love in the Time of Fentanyl, a documentary showing at the ReFrame Film Festival 2023 featuring the first safe injection site in Vancouver.
The Smell of Money explores the impacts of intensive hog farming on the local residents and environment. This documentary does not shy away from declaring the situation to be one of environmental racism, with concentrated animal feeding operations (CAFO) being found predominantly in counties occupied by the descendants of formerly enslaved individuals.
Silent Hill 2, one of the most popular horror games of all time, has just had a high-budget remake released. Ciara Richardson takes this as an opportunity to talk about the game's enduring popularity, and the renewed interest in horror games from an earlier era.
Personally, after watching Todd Phillips' much-anticipated Joker sequal, all I could ask myself was the simple question: Why? Why is this movie so hated?
Arthur journalist, Ian Vansegbrook, decides to throw his hat into the movie reviewing ring to dissect the modern cult classic horror comedy: Vicious Fun.
Calvin Bakelaar, the man behind the musical alias VANCAMP, speaks to Allen Barnier about his musical background, accolades, and his band's debut album, Diner Coffee
After an unjustifiably long absence, the film column beloved by chasers and lesbians the world over returns to talk about the woke horror movies of the summer!
Sally Rooney’s 2021 novel Beautiful World, Where Are You is an articulate investigation of emotion as it relates to the phenomenon of self. Drawing on personalized experiences to create literary persons, Rooney’s continuous ability to convey depth through a thought-provoking narrative is uncontested.
Contributor Alex Southey discusses Henry: Portrait of a Serial Killer (1986) noting how the lack of spectacle in director John McNaughton’s storytelling makes it a unique serial killer film especially when compared to most content being produced in the current true crime boom.
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