These two films serve as poignant reminders that Indigenous women have long been excluded from the feminist movement, and emancipatory victories enjoyed by white women. From gender-discrimination in the Indian Act to the white-washed story of feminism in the U.S., these films place Indigenous women in the lineage of struggle for gender justice.

In this article ReFrame intern Katy Catchpole reviews their screening 'Mining (And Manipulating) The Home Movie,' curated by Trent alum, Madison More. The screening examines how home movies and their nostalgia distort memory and shape family narratives.

Aras Mommertz reviews Sara Wylie's short documentary 'The Garden Collective.' This film documents the Prison for Women (P4W) Memorial Collective, telling tragic stories of injustice in the Kingston women's prison which closed in 2000, particularly histories of violence inflicted upon Indigenous women. 'The Garden Collective' is also a story of colonial brutality, the violence that the Canadian justice system continues to inflict, and the immense project for justice and healing that this collective has undertaken.