Arthur is making our Twitch livestream debut on April 1st, 2021, at 8:00pm with our First Annual Fundraiser and Telethon! Over the upcoming days, we are aiming to hit our 2021 fundraising goal of $10,000.
Your money goes to: •Good paying jobs for content creators •Year-round operation •New tech for content production •The freedom to remain independent
Cheyenne Wood reviews Disney's latest animated film, Encanto! Wood writes about what the film means for representation, and how it takes up intergenerational trauma, and puts a new spin on the idea of a Disney villain.
Karol Orzechowski weaves Canada's present state of calamity into a similar, and equally as absurd time about twenty years ago when 9/11 became the impetus for many shades of political maneuvering, state sanctioned evil, and ideological mayhem.
Sutton Hanna examines the myths about Canada that newcomers are told. As an international student himself, Sutton thought Canada was free of racism and discrimination - throughout his time in Peterborough/Nogojiwanong he has grown to understand this country has its own historical and present vein of anti-Black racism.
Welcome to Issue 3. What to expect: QUEERLINES, a radical insert created by the Trent Queer Collectives, further investigation into investment at Trent, a review of Ted Lasso a groundbreaking new TV show featuring sports and emotions, and much much more!
Welcome to Issue 2. What to expect: BLM Nogojiwanong takes over Arthur with articles by Shae McLeod, Alicia McLeod, and Sutton Hanna, featured photography from Jonathan Semugaza, a Trent Professor thinks Conservative academics are under attack, and much much more!
Welcome to Issue 2. What to expect: BLM Nogojiwanong takes over Arthur with articles by Shae McLeod, Alicia McLeod, and Sutton Hanna, featured photography from Jonathan Semugaza, a Trent Professor thinks Conservative academics are under attack, and much much more!
After a hiatus, Growing Pains has returned to bring you two episodes all about student activism at Trent. In Part 1 & 2 we map out Trent’s radical, activist roots and take stock of the changes that have taken place over the past 20 years.
